After everyone has caught up on all the things that fall behind when spending 5 days at a film festival, Down Under Berlin 2016 is done and dusted! Whether you were coming for the first time, or returning for your 6th, we hope you have had as wonderful a time as the DUB team has had. Thank you!
Last night was the opening night of Down Under Berlin 2016 and we kicked off in true down under fashion. Headlining film Spear had a waiting list,there was a last minute second screening to deal with the demand in tickets, and a bucket load of whiskey and ginger ale from Jameson’s Irish Whiskey for our audience.
Down Under Berlin is celebrating a wonderful new project called Sitting Room Only. New Zealand actress and producer Hannah Marshal came up with the concept of interviewing her New Zealand artist mates that working in the industry in LA. These are candid and entertaining chats, which give us a bit more of an insight into making it in Los Angeles.
To run a week long festival in a foreign country to your own, is not an easy feat. It takes passion, dedication and drive, a bit of movie know-how, a good team, and a sense of humour doesn’t hurt. The next in our series of “10 questions with…”, we ask DUB master and chief, Frances Hill, a few questions to get to know her a little better.
Internationally acclaimed New Zealand filmmaker Taika Waititi created films like What we do in the Shadows and Eagle vs Shark. From his academy award nomination for Two Cars, One Night, to having two of New Zealand’s highest grossing films Boy and Hunt For the Wilderpeople. How did he get there?
Author Frank Stark has said, “In the 115-year history of film in this country, more than half of all our feature films were made in just the past 10 years“. From The Lord Of The Rings to the latest internationally successful films as What we do in the shadows and Mahana, how did the ‘Jackson Effect’ finally become the foundation for a rise in national New Zealand film production?
Whether you be director, writer, cameraman, sound recorder or editor, it’s hard enough in Australia to break into the filmmaking business. If you’re not living the dream you expected, well, enough of the dream to quit your job waiting tables, many people head overseas to try to work there. Hollywood, London…..Berlin?
Wulf Sörgel from Moviemento Kino, tells us what its like to be the home of vivid alternative film culture in Kreuzberg, Berlin. Our first of the “10 Questions with-” series for this season!
For the last 25 years in Australia, men have directed 85% of all Australian feature films. That means less than a quarter of any feature length Aussie films are directed by women. What a statistic to be involved in!